With Jin Ling and Dick's commitment, cameras angle and the flow of the cinematic has been well structured, the team has been learning so much from them in the sense of cinematography and camera angle. Here Dick did an example of camera works, with subtittles explaining the way he worked on the cameras to suggest a story.

In this pipeline, compositing took a very important role, including color and mood correction, camera depth of field, effect, and more enhancement. Compositing artists Chong Ching and Gene Erh did this compositing demo reel to show you how the rendered sequence was composited in After Effect.

Before compositing, we will break the shot and render it into several passes, including background, middleground, foreground, character, oclusion, specular, effect and so on. By doing so, we are able to have a freedom to adjust and composite the shot more efficiently, for example applying motion blur, adjusting level, color correction, depth of field and more. With the enhancement during compositing stage, the shot turns out to be more rich with details.